Designs, Builds, & Models

Quad Redesign: Sense of Nature

The final project for Introduction to Planting Design was another redesign of the UW Quad, this time as a group project, incorporating one of a variety of “sense of…” categories. My group chose Sense of Nature, and created both a design board and a shoebox model. The overall experiential idea was to immerse the visitor in a variety of typical Pacific Northwest ecosystems in a small space. This translated into the shoebox as Nature breaking free of its concrete container.

Slight mounds were necessary to create patches of wet and dry, conducive to a wider variety of plant types, creating patches of different vegetation and canopy experiences for the visitor.

The uniform elevation of the outer path allows both easy access to and around the Quad for the student on the go, as well as a more casual stroll. The constructed oval is a treated wood boardwalk, with stilts, stairs and bridges as necessary to elevate it slightly above the ground level, preventing soil compaction and root damage. The open design also allows for more infiltration of stormwater. The northern corner (which appears NE in plan view) receives the most sun, making it more suited for prairie and wildflower installations. The opposite corner, in the south, is typically darker and moister throughout the year, so provides an opportunity for a moss garden similar to the Hall of Mosses in the Hoh Rainforest. A level, oval boardwalk around the space, allows 

The interior lacks definitive paths, leaving the visitor free to explore at their own pace. Tree spacing is dense enough to obscure hidden wonders, but wide enough to allow easy navigation.

 

 

Rage Garden

This was a really fun project for an intro Planting Design class, in which we redesigned the planting scheme for the “quad” on the UW campus (where the famous cherry trees live). Each student chose an emotion, which we then needed to elicit as a response from visitors to the site. I chose “rage” as I thought it would be fun to come up with lots of evil ways to make people angry with plants.

ragegarden-ledger

Interdisciplinary Collaboration: Iquitos, Peru (final)

For the final project of a collaborative design class, I teamed up with a group that had designed a floating chicken coop for the midterm. For the final, we expanded on that concept and proposed a floating community center (one of the primary citizen requests), with floating farms to make use of compost from all that chicken poop. We also had hand washing stations that used collected rain water, which I proposed piping under the river as a way to culturally and literally warm it. There is a cultural aversion to drinking rainwater, as all bad things come from the sky, and all good things from the river. Piping the rain below the water, without letting the clean water actually contact the highly contaminated river, would be a way of acknowledging the cultural heritage of the large indigenous population, while also addressing a primary vector for disease.

 

1-Chicken BNB

 

2-Chicken BNB

Interdisciplinary Collaboration: Iquitos, Peru (midterm)

A team project looking into possibilities for power generation in a floating, informal settlement called Claverito, in Iquitos, Peru. The format of the class is Landscape Architects teamed up with students from other disciplines (like me, Environmental Science), to collaborate on solutions that improve the ecological and human health for this community. The below is what I worked on for the midterm, with the final over here.

The people currently use makeshift power cables patched into the municipal grid, combined with kerosene generators and kerosene lamps. It’s all very dangerous and polluting, so my team looked for alternatives. We initially looked into hydropower, but section of Amazon tributary they live on is fairly stagnant. Our solutions:

  1. Follow literoflight.org‘s example to provide interior lighting during the day.
  2. Use a GravityLight, which residents could possibly build themselves from scrap parts (except for low-wattage LED bulbs, which would need to be shipped in).
  3. PotatoLights for supplemental energy.

Cooked potatoes produce more electricity than raw, it turns out. I was able to get mine to produce enough to make a tiny red LED light up. Not enough to really do any good, but a neat proof of concept.

potato light lit

 

potato light complete

Team-member Russ made a functional GravityLight:

gravity light demo

 

And team-member Sharon made some lovely boards:

gravity light board 1

gravity light board 2layout midterm

Tleboletsa Park

This was the final project for a Landscape Architecture Design Studio, in which we were tasked with designing a public park space where the UW Police Department is currently housed, on the shoreline of Portage Bay. The project involved exploring the site history, during which I became interested in the story of Cheshiahud, such an important figure in our city’s history that the Lake Union Trail was recently renamed after him. Cheshiahud was buried at Evergreen Washelli cemetery next to his first wife Sbeilsdot. I was unable to find details on the final resting place of  Cheshiahud’s second wife, Tleboletsa, and thought it would be nice for her to have a park next to Cheshiahud’s trail.

In hindsight, my design choices lacked a bit of subtlety, that I think I might have found with more time and training (we had two weeks).


Tleboletsa Park includes a grand view of Portage Bay, continuing an axis beginning at the UW Fishery Sciences Building. A spiral is the unifying shape in this regenerative design, as the idea is not to return to place you started, but improve ecological function with each cycle. The spiraled bioswales improve stormwater quality while providing pollinator habitat, and the protected bay with floating wetlands provides migrating salmon with food and rest on their journey. The bay arms, formed by a massive­-scale Canoe and Train, reference the cultural edge created by Europeans settling Duwamish lands, while shielding the site from street noise, boat noise, and waves. A broad street level terrace provides bike racks, seating, and room for Street Food vendors. The salmon-­shaped boardwalk includes several staircases and an ADA elevator. The second terrace provides more seating, access to the upper spiral and waterfall, and a play structure. The restored, sparse forest to the West includes a mix of native conifers and shrubs, with a running path descending into the site from street level. The third terrace showcases the lower spiral and allows beach access, where shore armoring has been replaced by soft gravel and large woody debris.

board-and-model-e1455940909887

board & model

site plan
site plan

 

vicinity map
vicinity map

 

vignette
vignette

3W | 3P | 3R

An early step in the design project that became Tleboletsa Park was to explore creating quick, non-precious concept models. My concepts evolved from studying the site itself, an assigned mystery material (a doorknob), and the outline of the site in the “Section 6(f) Environmental Evaluation” from WSDOT and FHA.

3W = Wall, Window, Walkway

The site outline reminded me of a keyhole, which fit with the doorknob mystery material. In thinking of a closed door, I realized its form is also that of a wall. Once opened and viewed passively, it is like a window. Depending on the context, it could be a window to the future of the site, the past, or even different design possibilities. Finally, when moving through a door, it becomes a walkway, taking you across the threshold to what lays beyond.

3W3P3R site outline

3W with captions

3P = People, Planet, Profit

triple_bottom_line
image source: http://www.examiner.com

In studying the site outline, I also noticed it could be divided into two roughly 3P
triangular shapes. A triangle has three sides, and a popular sustainability concept for some corporations is the “triple bottom line,” in which you strive to strike a balance between fair treatment of people, protections for the environment, and profit margins. Whether or not such balance is possible, I feel that People and Planet should receive the most attention, so I have placed the triangle to be on its point, such that if either People or Planet fall short, Profit will tumble.

 

3R = Resilient, Restorative, Regenerative

There are many cycles and recycles occurring in and around the site. The salmon go out to sea, only to return and die while giving life to the next generation. Ships flow in and out of the ship canal, and people flow in and out of Sakuma Viewpoint. The site is part of local hydrology, with surface runoff and sewer drains leading stormwater away to CSOs, which drain into the channel. The site also takes part, as it must, in global biogeochemical cycles. A Resilient design will last against human use, climate change, and invasive species. A Restorative design will improve water and air quality, providing quality habitat, especially for salmon and pollinators. Combine the two and one might achieve a Regenerative design, self-­sustaining while improving the health of the overall landscape, in an upwards spiral of continuous improvement.

3R-prep     3R inspiration      3R

Crow Bowl

crow bowl - evening

I installed this piece on a Monday morning, next to the Burke Museum. Within 5 minutes of walking away, I had my first visitor…

 

The crow cawed at the piece for several minutes, before walking away. I observed from 1045­-1215, and again from 1715-­1730, but no one seemed to really notice my work, or if they did, they did not stop to look more closely. This was disappointing, as I’d worked hard on it, but also kind of neat, as some think Land Art should be installed far out from civilization, away from any chance of commercialization. I also like that the only real interaction I saw was from a possible contributor to the piece itself!

crow bowl - morningIf I’d designed it with an eye level component, or more attention­ getting paths, it might have been more effective as an “intervention.”
There was a toddler who seemed to notice and point to the piece, but was dragged along by his classmates’ tether before drawing the attention of their teacher.

There were tour buses in front of the space in the morning, which were gone by the evening, so it’s possible that some Burke tourists noticed my work as they were leaving. I hope so.

While I was gathering the feathers, an older man stopped me to ask if it was for art. I said yes, and pointed at where it would be. He asked if there would be any Native American influence, but I said “Oh no no no, since I’m not Native American myself.” I was thinking it would have been insensitive and culturally appropriative to intentionally add any Native American references, but maybe not acknowledging them at all is just as insensitive? I kept the piece just as my own reaction to the site, but I still don’t know if that was right.

 

 

Bus Island

A study and redesign of a bus stop near UW campus, introducing a below-grade water feature fed by a moat. This was a first foray into playing with SketchUp for a massing study, setting up a board, and drawing a perspective. It was fun, and I learned a lot.

bus island redesign